Category: Poetry

Original poetry inspired by / in response to Miyazaki’s work

The Poetics of Hayao Miyazaki

An Admiration of the Man and the Art Form

By Jeremiah Reyes

Experiencing Studio Ghibli films from my youth has almost been a fever dream. While revisiting those I have seen and those I have not seen before, to relish in a childhood wonder has somewhat remained. The sounds of trees brushing against the wind and the sight of blue skies filled with white clouds. One can think of poetry in a form of animated art. To enter these films for the first time or by revisiting, the immersion to simply being in the film will always be the same. By seeing any of these films, you enter the world Miyazaki created.

After visiting the Academy Museum of Motion Pictures, the amazement of seeing Hayao Miyazaki’s concept art in the exhibit was quite surreal and an emotional experience. In some sense, one may seem to be entering his own mind. Entering the mind of Hayao Miyazaki is both a blessing and an undeserving privilege through the concept art, images of maps, miniature models, and projections of the films. Everything in the exhibit was something new as most of these creations I have not seen before. This exhibit offered so much more, yet I wanted more. For the man himself, his complexity would only want me to wonder more about Miyazaki himself. Yet again, I wouldn’t want to be that person to intrude on such a mind.

As someone who is just a student of poetry, I don’t consider myself a professional. Merely, it is the willingness to create art from the art that inspires. I have chosen to write haikus for all his films: Nausicaä of the Valley of the Wind, Castle in the Sky, My Neighbor Totoro, Kiki’s Delivery Service, Porco Rosso, Princess Mononoke, Spirited Away, Howl’s Moving Castle, Ponyo, and The Wind Rises.

For Porco Rosso and The Wind Rises, I especially focused on these haikus to be allegories for Hayao Miyazaki.

Lastly, I leave this poem as a tribute to the man himself:

“It is not hard to imagine…the inner turmoil as a fifty-one-year-old man looking back at his life and forward to what will come” (Napier 153).

Susan Napier describing Miyazaki in Porco Rosso

Feel free to comment and share your thoughts on your favorite poem and your experience of any Miyazaki film.

  • Napier, Susan. Miyazakiworld: A Life in Art. Yale University Press, 2018.

Ghibli Inspired Haiku

By Kevin Martinez

[Feel Free To Skip The Poetics Statement If You Want to Get Straight To The Poetry]

I was inspired by my trip to the Academy Museum of Motion Pictures and a love of Miyazaki’s films to try and write poetry inspired by his films, which are known both for their vivid imagery and complex themes interplaying between concepts of ecology, family, commercialism, and technology.

As an additional challenge, I attempted to write all my poetry in the form of haiku, a traditional Japanese form of poetry that I have very little experience in, in an attempt to get a more sheer and honest interpretation of Miyazaki’s work and in turn seek a better appreciation for his films.

I attempted to capture some of the themes present in Miyzaki’s films in the haikus, with each individual poem being accompanied by a background still of the specific film that inspired it and an emphasis on some of the themes of the same work. I challenge potential readers to see if they can guess the film from the poem and the corresponding frame, and undoubtedly some will be a lot easier to identify than others. I took a single still from most of Miyazaki’s directed films, all of them being: Nausicaa of the Valley of the Wind, My Neighbor Totoro, Ponyo, Spirited Away, Princess Mononoke, Howl’s Moving Castle, Castle in the Sky, Porco Rosso, and Kiki’s Delivery Service.

Feel free to comment down below which poems you like, or alternatively, feel free to disagree with some of my thematic interpretations or share what your thoughts are on Miyazaki’s art.